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#writerscoffeeclub

104 posts76 participants3 posts today

“Every writer has a legacy, whether it’s a single self-published book, a growing backlist with a small press, or a series of essays and poems shared online. You don’t have to be a household name to plan for the future of your creative work.” — Charlotte Jones Voiklis

janefriedman.com/planning-for-

Jane Friedman · Planning for the Life of Your Work (Even If You’re Not Famous Yet) | Jane FriedmanLegacy planning is neither morbid nor presumptuous—it’s a sign of love for your work, your readers, and anyone who may one day carry your stories forward.

#WritersCoffeeClub 9 April: How much room for the fantastical is there in your work?

It depends on the project. I would love to sit/stand/annoyingly pace back and forth and say that I’d cram the fantastical like a suitcase. The problem is that, sometimes, the story needs something a little more grounded. That doesn’t mean that the room for the fantastical isn’t there, just that it’s not serving the story right then.

@bookstodon

#WritersCoffeeClub #Writing 9 Apr: How much room for the fantastical is there in your work?

It sneaks in, given the least opportunity. I have tried throwing it out again, but the resultant books don't sell to a publisher.

So I write in the science fiction and fantasy genre, because those books do sell, and I console myself with the knowledge that even the great Philip K. Dick couldn't sell his mainstream novels during his lifetime.

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#WritersCoffeeClub Apr9: How much room for the fantastical is there in your work?

I write SFF,so all the room in the world!

The more interesting question,to me,is WHAT is allowed to be fantastical? Are you writing people who ride dragons but have to have "psychologically realistic" personalities? Then you've made a choice about what can and can't be real. Are you writing an "action" story where nobody gets PTSD? Also a choice. A fine choice! No objections! But it's important to be aware of it.

#WritersCoffeeClub 9: How much room for the fantastical is there in your work?

I write SF/F, so I'd say there's a lot of room!

I tend to paddle in the more plausible/believable end of the pool, where there's at least a middling attempt at maintaining plausible consistency with reality (nightmarish alien gods? They're ALIENS). But SF/F is, as critic John Clute noted, the literature of the Fantastika, and it works by inducing a sense of alienation from all that is known. And I'm down with that!

#WritersCoffeeClub 4/9. How much room for the fantastical is there in your work?

In my translations of German folk tales, I am focusing on the fantastical tales, so the answer is "lots".

I mean, there are plenty of non-supernatural folk tales as well. But many concern some local history and trivia that probably won't be very meaningful to an international audience.

(Incidentally, if I ever get around to translating the second volume of the Brothers Grimm's "Deutsche Sagen", this will be a problem - because that part of their collection is full of ancient German tribes and kings with little supernatural shenanigans. So how can I make these tales interesting for the readers?)

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#WritersCoffeeClub Apr 8: Share a simile or metaphor that stuck with you.

Standard answer, typical of a Gen-X sci-fi nerd: "The sky above the port was the colour of television tuned to a dead channel" (William Gibson). Fun fact, this metaphor only works if you've seen "snow" on an analogue TV set from before the mid-90s. Funner fact, William Gibson wrote this after living in Vancouver for many years, where that is in fact the colour of the sky (and we love it!)

#ScribesAndMakers Apr 8: Share a song lyric you've written or heard that resonates with you.
#WritersCoffeeClub Apr 8: Share a simile or metaphor that stuck with you.

Combining these 2...

Al Stewart's lyrics tend to stick with me for some reason. Vivid similes and metaphors. Here's a particularly good one from "Year of the Cat":

She comes out of the sun in a silk dress running,
Like a watercolor in the rain.