michael<p><a href="https://photog.social/tags/MeteorologicalSpring" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MeteorologicalSpring</span></a> is rolling across the northern hemisphere. <a href="https://photog.social/tags/LookAround" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LookAround</span></a> <a href="https://photog.social/tags/TheSunIsOut" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TheSunIsOut</span></a> <a href="https://photog.social/tags/TheSkyIsBlue" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TheSkyIsBlue</span></a> <a href="https://photog.social/tags/ItsBeautiful" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ItsBeautiful</span></a> Time to face down my old nemesis, #120 <a href="https://photog.social/tags/RollFilm" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RollFilm</span></a> once again. A new weapon in my arsenal is a <a href="https://photog.social/tags/Pollymin" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Pollymin</span></a> developing tank. I knew something was afoot when I was able to load the film on to the spool with almost no problems (a first for me) Obviously 120 film wasn't about to let me off the hook. The negatives have a streak that runs (almost) the entire length of both films I used.</p>